It's an unfortunate fact that in the world of Hollywood movies, male-driven comedies are for everyone while female-driven comedies are for the most part considered to be just for women. Whether this says more about audience perceptions or the way in which comedies focused on women are made and marketed is up for debate, but it's certainly a shame that mainstream movies about women seem to be so segregated by gender.Co-written by and starring SNL alumna turned movie star in the ascendant Kristen Wiig, Bridesmaids has a real chance to introduce audiences of either and all genders to the funny side of the distinctly female-oriented process of pre-wedding bridal rituals. With The Hangover 2 failing to recapture the sparky energy of its predecessor (despite, or perhaps because of, being a shameless clone), the film is also in position to become summer 2011's best-loved adult comedy.
Thankfully, Bridesmaids grabs its opportunity by the horns, wrestles it to the ground and shouts jokes into its ears until it busts a gut laughing. Anchored by a central performance by Wiig that's as endearing and well-pitched as you're likely to see this year, the film is a roaring success, bringing out the muck and mayhem of wedding showers, bachelorette parties and the awkwardness of enforced bonding with comedic flair and a genuine feel for character.
The movie opens with our heroine Annie (Wiig) autopiloting through an uninspired hump session with handsome, self-obsessed fuck-buddy Ted (Jon Hamm). The inevitable disappointment that follows these meaningless booty calls echoes the vague sense of defeat that follows Annie around. Her bakery business has collapsed like a wet meringue under the weight of the recession, taking her boyfriend and her life savings with it, leaving her renting a small room from a couple of weirdo limeys (one of whom has a suspiciously appalling accent).
When Annie's best friend Lillian (Maya Rudolph) tells her she's getting married to her long-term boyfriend, she's secretly worried that they'll drift apart. But she's duly appointed maid of honour, so it's her job to corral Lillian and her friends, including rich, beautiful friendship rival Helen (Rose Byrne), through the fraught process of setting up the bride-to-be for her big day.
The set-up certainly doesn't sound like anything new, but as with all comedy, the secret's in the delivery. And the movie certainly delivers laughs, with the kind of brassy, unaffected style that's so rare in modern rom coms. The character-based comedy rolls easily off the script as the bridesmaids' personalities and histories unfurl, from frustrated mother Rita (on her teenage sons: "Everything is covered in semen. I literally broke a blanket in half, do you see what I'm saying?") to Lillian's future sister-in-law Megan (Melissa McCarthy), a massive slab of a woman who combines hulking machismo, unbridled sexual energy and just a hint of social autism with such commitment that she becomes the movie's most consistent comedy engine.There's plenty of room for slapstick too, with a hyper-aggressive, mostly slow motion tennis match between Annie and Helen a particular highlight. So much critical vitriol has been poured onto the infamous "dress fitting/food poisoning" scene that I expect to hate it, but it's a pretty spectacular piece of gross-out. You owe it to yourself to behold a fully grown woman in an ornate bridal gown shitting her guts out in the middle of a busy street, staring helplessly at her friends.
But it's the central relationship between Annie and Lillian that binds the movie together and gives it a heart to match its funny bone. Wiig and Rudolph's natural charisma as a duo brings an effortless credibility to their friendship, which in turn gives context to the strain that their relationship endures throughout the movie. Annie's anxiety about being left behind as Lillian embraces a new life and a new set of wealthy friends, as well as her fear of failure and her battered self-esteem, are universally relatable themes, and as the hysteria ramps up towards the end of the film, these themes keep the characters from feeling cartoonish.
Bridesmaids has been hailed by many as a sort of ultra-modern feminist affirmation, but in reality, Wiig and co-writer Annie Mumolo are having far too much fun engaging with and subverting stereotypes of femininity to stick to any particular agenda. While the movie is effortlessly progressive in its portrayal of women as individuals with a diverse set of strengths and flaws (which should surely be a given by now), this is Grade-A entertainment first and foremost. But it's certainly refreshing to see the usually all-engrossing love interest (charmingly played here by The IT Crowd's Chris O'Dowd) sidelined in favour of a genuinely heartwarming female friendship.
A couple of niggling flaws hold Bridesmaids back just enough to be worth mentioning. The core triangle of Annie, Lillian and Lillian's intimidating new friend Helen, impressive as it is, dominates proceedings to the extent that a couple of the bridesmaids are left out in the cold somewhat, with the aforementioned lusty mum Rita and Ellie Kemper's twitchy newlywed Becca not given quite enough room to flesh out their intriguing character concepts. The film also wraps up a little neatly considering the preceding histrionics; Wiig, Mumola and director Paul Feig seem to take their feet off the emotional gas on the home stretch in favour of tried-and-tested rom com cliche. A couple of minor slip-ups are nowhere near enough to hide Bridesmaids' immense strengths, however. The movie, produced by Judd Apatow, easily stands up with the cream of the crop of the Apatow Productions stable. Like Knocked Up, The 40-Year-Old Virgin and Superbad, Bridesmaids makes walking the precarious tightrope between hilarity and heart look easy. The film may have a hard time marketing itself to a universal comedy audience; several of my friends admitted to dismissing it out of hand, assuming it was cut from the standard chick flick cloth. In reality, it's a hilarious, very sweet movie spearheaded by some very funny women, a must-watch for comedy fans, no matter the shape of their genitalia.
Satisfaction Score: 9/10
Interest Score: 7/10
